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  • Articles posted by Jay B. Hall
02/25/2021

Author: Jay B. Hall

Senator Cotton’s Speech at Hillsdale

Monday, 03 June 2019 by Jay B. Hall

The following will educate all Americans about the history of The Old Guard and her current mission. It will remind the Soldiers who have or are currently serving of how and why we do what we do – America’s Regiment.

Sacred Duty: A Soldier’s Tour at Arlington National Cemetery

 

Tom Cotton
U.S. Senator from Arkansas and Author, Sacred Duty: A Soldier’s Tour at Arlington National Cemetery

 

The following is adapted from a speech delivered on April 9, 2019, at Hillsdale College’s Allan P. Kirby, Jr. Center for Constitutional Studies and Citizenship in Washington, D.C.

 

Every headstone at Arlington tells a story. These are tales of heroes, I thought, as I placed the toe of my combat boot against the white marble. I pulled a miniature American flag out of my assault pack and pushed it three inches into the ground at my heel. I stepped aside to inspect it, making sure it met the standard that we had briefed to our troops: “vertical and perpendicular to the headstone.” Satisfied, I moved to the next headstone to keep up with my soldiers. Having started this row, I had to complete it. One soldier per row was the rule; otherwise, different boot sizes might disrupt the perfect symmetry of the headstones and flags. I planted flag after flag, as did the soldiers on the rows around me.

Bending over to plant the flags brought me eye-level with the lettering on those marble stones. The stories continued with each one. Distinguished Service Cross. Silver Star. Bronze Star. Purple Heart. America’s wars marched by. Iraq. Afghanistan. Vietnam. Korea. World War II. World War I. Some soldiers died in very old age; others were teenagers. Crosses, Stars of David, Crescents and Stars. Every religion, every race, every age, every region of America is represented in these fields of stone.

I came upon the gravesite of a Medal of Honor recipient. I paused, came to attention, and saluted. The Medal of Honor is the nation’s highest decoration for battlefield valor. By military custom, all soldiers salute Medal of Honor recipients irrespective of their rank, in life and in death. We had reminded our soldiers of this courtesy; hundreds of grave sites would receive salutes that afternoon. I planted this hero’s flag and kept moving.

On some headstones sat a small memento: a rank or unit patch, a military coin, a seashell, sometimes just a penny or a rock. Each was a sign that someone—maybe family or friends, or perhaps a battle buddy who lived because of his friend’s ultimate sacrifice—had visited, honored, and mourned. For those of us who had been downrange, the sight was equally comforting and jarring—a sign that we would be remembered in death, but also a reminder of just how close some of us had come to resting here ourselves. We left those mementos undisturbed.

After a while, my hand began to hurt from pushing on the pointed, gold tips of the flags. There had been no rain that week, so the ground was hard. I asked my soldiers how they were moving so fast and seemingly pain-free. They asked if I was using a bottle cap, and I said no. Several shook their heads in disbelief; forgetting a bottle cap was apparently a mistake on par with forgetting one’s rifle or night-vision goggles on patrol in Iraq. Those kinds of little tricks and techniques were not briefed in the day’s written orders, but rather got passed down from seasoned soldiers. These details often make the difference between mission success or failure in the Army, whether in combat or stateside. After some good-natured ribbing at my expense, a young private squared me away with a spare cap.

We finished up our last section and got word over the radio to go place flags in the Columbarium, where open-air buildings contain thousands of urns. Walking down Arlington’s leafy avenues, we passed Section 60, where soldiers killed in Iraq and Afghanistan were laid to rest if their families chose Arlington as their eternal home. Unlike in the sections we had just completed, several visitors and mourners were present. Some had settled in for a while on blankets or lawn chairs. Others walked among the headstones. Even from a respectful distance, we could see the sense of loss and grief on their faces.

Once we finished in the Columbarium, “mission complete” came over the radio and we began the long walk up Arlington’s hills and back to Fort Myer. In just a few hours, we had placed a flag at every grave site in this sacred ground, more than two hundred thousand of them. From President John F. Kennedy to the Unknown Soldiers to the youngest privates from our oldest wars, every hero of Arlington had a few moments that day with a soldier who, in this simple act of remembrance, delivered a powerful message to the dead and the living alike: you are not forgotten.

***

The Thursday before Memorial Day at Arlington National Cemetery is known as “Flags In.” The soldiers who place the flags belong to the 3rd United States Infantry Regiment, better known as The Old Guard. My turn at Flags In came in 2007, when I served with The Old Guard between my tours in Iraq and Afghanistan.

The Old Guard is literally the old guard, the oldest active-duty infantry regiment in the Army, dating back to 1784, three years older even than our Constitution. The regiment got its nickname in 1847 from Winfield Scott, the longest-serving general in American history. Scott gave the regiment the honor of leading the victory march into Mexico City, where he directed his staff to “take your hats off to The Old Guard of the Army.” Perhaps Scott felt an old kinship with the 3rd Infantry, because he had fought the British alongside them outside Niagara Falls during the War of 1812.

Among the few regiments to participate in both of the major campaigns of the Mexican War—Monterrey in 1846 and Mexico City in 1847—The Old Guard made history alongside American military legends. A young lieutenant later wrote that “the loss of the 3rd Infantry in commissioned officers was especially severe” in the brutal street-to-street fighting in Monterrey. That lieutenant’s name was Ulysses S. Grant.

The 3rd Infantry was part of the main effort again the next year at the Battle of Cerro Gordo, the last stand on the road to Mexico City by Mexican General Antonio López de Santa Anna. The Mexicans had a numerically superior force on the high ground on both sides of the only passable road to the capital. But Santa Anna underestimated the Americans’ ingenuity and audacity. With a young captain of engineers blazing the path, the 3rd Infantry hacked through the jungle and crossed ravines to attack the Mexicans from their rear, finishing them off with a bayonet charge. That captain’s name was Robert E. Lee. And to this day, The Old Guard remains the only unit in the Army authorized to march with bayonets fixed to their rifles in honor of their forerunners’ bravery at Cerro Gordo.

The Old Guard returned to the battlefield in the Civil War, fighting with other “regulars”—the career professional soldiers of the federal government, as opposed to the volunteer soldiers of the state regiments. The Old Guard fought in every major battle in the eastern theater from the First Battle of Bull Run to Gettysburg, where they helped hold off Confederate charges against the weakened salient in Union lines at the Wheatfield. Watching from the nearby Round Top Hills, a state militiaman later wrote, “For two years, the regulars taught us how to fight like soldiers. At the Wheatfield at Gettysburg, they taught us how to die like soldiers.” Though out of the fight, the regiment later served in Grant’s headquarters at Appomattox Court House as he accepted the surrender of their old pathfinder from Cerro Gordo.

The Old Guard then went west following the American frontier, and ultimately to the Philippines at the turn of the century, fighting under General John “Black Jack” Pershing against Muslim radicals in Jolo and Mindanao—the very places where al Qaeda and the Islamic State have franchises today. They guarded our southern border with Mexico against Pancho Villa during World War I, and they trained the vast army of new recruits for World War II before deploying to Europe in the final months of the war.

It was after World War II that the Army assigned its oldest unit to its most sacred ground: Arlington National Cemetery, whose seal calls it “Our Nation’s Most Sacred Shrine,” and with good reason. To borrow from Tocqueville in a different context, those rolling hills seem “called by some secret design of Providence” to become our national cemetery.

***

George Washington’s adopted son—his wife Martha’s only surviving son—bought the land that became Arlington in 1778 to be closer to his mother and his stepfather at their beloved Mount Vernon. General Washington advised him on the purchase in correspondence from his winter camp at Valley Forge. But our national triumph three years later at Yorktown shattered the family’s dreams. Their son died of a fever contracted there, leaving behind a six-month-old son of his own. George and Martha raised the boy, who was named George Washington Parke Custis but was known as Wash. When Wash came of age and inherited the land, he initially christened it Mount Washington, in honor of his revered adoptive father. Though he later renamed it Arlington, Wash used the land as a kind of public memorial in his lifelong mission to honor the great man. From hosting celebrations on Washington’s Birthday to displaying artifacts and memorabilia to building the grand mansion still visible from the Lincoln Memorial today, Arlington got its start as a shrine to the father of our country.

A new resident arrived in 1831, when then-Lieutenant Robert E. Lee—himself the son of Washington’s trusted cavalry commander during the Revolutionary War—married Wash’s only surviving child, Mary. For 30 years, the Lees made Arlington their home and raised a family there between his military assignments. Because of his ties to Washington and his own military genius, Lee was offered command of a Union army as the Civil War started. But he declined on the spot. His long-time mentor—none other than the 3rd Infantry’s old commander, Winfield Scott, now the General-in-Chief of the Army—scolded him: “Lee, you have made the greatest mistake of your life, but I feared it would be so.” Resigning his commission, Lee left Arlington for Richmond, never to return. The United States Army occupied Arlington on May 24, 1861—and it has held the ground ever since.

Arlington at first became a military post, key terrain for the defense of the capital. The Old Guard even camped there for a few days in the summer of 1861. But as the horrific war ground on, casualties mounted and Washington’s cemeteries filled up. Montgomery Meigs, the Quartermaster General, and Edwin Stanton, the Secretary of War, detested Lee as a traitor and saw a double opportunity: by turning Arlington into a Union cemetery, they gained hundreds of acres in new land for graves, while also foreclosing Lee’s return after the war. On May 13, 1864, Private William Christman was the first soldier interred at Arlington. Thousands more would soon join him, fixing Arlington as a new national cemetery.

Or so it was thought. Lee’s son inherited the family’s claim to their old farm. Himself a Confederate officer, his name nevertheless reflected the nation’s deep roots at Arlington: George Washington Custis Lee. Known as Custis, he petitioned Congress to no avail, then sued in federal court to evict the Army as trespassers. United States v. Lee worked its way over the years to the Supreme Court, which upheld the Lee family’s claim. Fortunately for the government, the nation, and the souls at rest in Arlington, Custis was magnanimous in victory, asking only for just compensation. In 1883, he deeded the land back to the government in return for $150,000. The Secretary of War who accepted the deed was Robert Todd Lincoln, the son of Abraham Lincoln. After that final act of reconciliation between the firstborn sons of the great president and his famed rebel antagonist, Arlington’s dead could rest in peace for eternity.

***

Since 1948, when The Old Guard became the Army’s ceremonial unit and official escort to the president, it has marched in inaugural parades, performed ceremonies at the White House and the Pentagon, and provided color guards and a drill team for events around the capital, among other missions. But one mission takes priority above all else: military-honor funerals in Arlington National Cemetery. In manning, in training, in operating, funerals always come first, and they are a no-fail, zero-defect mission. While we often performed more than 20 funerals a day, we knew that—for the fallen and the family—each funeral was a once-in-a-lifetime moment, a lifetime in the making.

No matter how often we conducted funerals—and most of us performed hundreds of them—the pressure to achieve perfection for the fallen and their families never relented. Lieutenant Colonel Allen Kehoe, the battalion commander in charge of Old Guard funerals, has served in the 75th Ranger Regiment and is a five-time combat veteran. Yet he told me, “I’ve never experienced pressure like this anywhere else in the Army.” He paused and added, “I know that sounds crazy.” Perhaps to some, but not to me, and not to his soldiers. We felt the same pressure every day in Arlington, the pressure to perform our sacred duty to honor America’s heroes.

Nothing interferes with The Old Guard’s mission in Arlington—and when I say nothing, I mean nothing, not even 9/11. On that beautiful morning, the 9 o’clock funerals were underway when American Airlines Flight 77 slammed into the Pentagon, blasting debris across Washington Boulevard into the cemetery’s southeastern corner. The Old Guard’s Medical Platoon rushed to the scene, becoming the first soldiers to deploy to a battlefield in the War on Terror. Yet those funerals continued. So did the 10 o’clock funerals. And the 11 o’clock funerals. Over the next month, even as hundreds of Old Guard soldiers pulled guard duty at the Pentagon and carried remains from the crash site, funerals never stopped in Arlington.

Last year was no different during the state funeral for President George H.W. Bush. As the nation awoke to news of his passing, The Old Guard had already assembled in the pre-dawn darkness of a Saturday morning. Over the next six days, hundreds of Old Guard soldiers would honor the old aviator in Texas and at Andrews Air Force Base, the Capitol, and the Washington National Cathedral. Yet far from the limelight, funerals in Arlington continued as planned. As one Old Guard soldier told me, “Our standards remain the same, whether it’s President Bush or a private first class.”

Old Guard companies have industrial-quality press machines in their barracks to achieve razor-sharp pant creases. We measured uniform insignia out to one-sixty-fourth of an inch. Sitting down in uniform between funerals was prohibited to avoid wrinkles. We prepared for funerals in sweltering summer heat, winter blizzards, and driving rain. Even when inclement weather shuts down the cemetery, it does not stop The Old Guard from performing funerals on time and to standard.

Each morning, casket teams practiced folding the flag, even though they had folded thousands of them. Firing parties practiced their three-volley salute, seven rifles cracking as one in the parking lot. In the cemetery, we talked through the key sequences and cues before each funeral, sometimes conducting the very same talk-through six times in a day. Nothing was taken for granted.

For rare or complex funerals, The Old Guard goes to even greater lengths. I participated once in a group burial for twelve soldiers killed in a helicopter crash in Iraq. We rehearsed it for several days. Last year, The Old Guard dedicated the newest 27 acres of the cemetery by laying to rest two unknown Civil War soldiers whose remains were recently discovered at the battlefield of the Second Battle of Bull Run. The soldiers involved rehearsed the mission six times. Researchers believe, incidentally, that the two soldiers may have died from wounds suffered during the Union’s failed assault on the third and final day of the battle—an assault in which The Old Guard participated.

 

Arlington is not the only site of The Old Guard’s mission to honor our fallen. Since the earliest days of the Iraq War, The Old Guard has performed the dignified transfer of remains at Dover Air Force Base in Delaware, where our nation’s fallen soldiers return home for the last time. My tour with The Old Guard coincided with the Surge in Iraq, so sadly we had Dover missions almost every night—and they typically happened at night, given the flight times and time zone changes. Whatever the time and whatever the conditions, The Old Guard was there when the remains landed. My soldiers and I once drove to Dover two days early to get ahead of a potential blizzard. If a soldier was coming home, we would be there to honor him.

Most Americans have seen the iconic photographs of flag-draped cases at Dover; few have stood among them on that windy ramp. But Old Guard soldiers have. We’ve stood alone in the cargo hold, inspecting flags for the slightest deficiencies. We’ve strained with a heavy case of a fallen soldier still in full combat gear, packed in ice. We’ve felt the lightweight cases of the dissociated remains of a soldier killed by an improvised bomb, the enemy’s most deadly weapon in Iraq and Afghanistan. We’ve saluted from the airplane as the remains were driven away to be prepared for the return to their family.

***

These poignant moments at Dover, like The Old Guard’s unflagging dedication to our fallen at Arlington, tell not only a story about our war dead and the soldiers who honor them, but also a story about the nation on whose behalf they serve. We go to great lengths to recover fallen comrades, we honor them in the most precise and exacting ceremonies, we set aside national holidays to remember and celebrate them. We do these things for them, of course, but also for us, the living. Their stories of heroism, of sacrifice, and of patriotism remind us of what is best in ourselves, and they teach our children what is best in America.

In doing so, we assure our fighting men and women around the world that they, too, will be remembered in death and their families will be cared for, a mutual pledge that shaped our identity as soldiers and our willingness to fight—and, if necessary, to die—for our country. “It is well that war is so terrible,” observed Robert E. Lee as he watched his army slaughter Union troops at Fredericksburg, “or we should grow too fond of it.” No one understands that lesson better than the soldiers who have fought our wars on the front lines and the soldiers who have honored the sacrifices of our fallen at places like Arlington and Dover. We know that sometimes our nation must wage war to defend all that we hold dear, but we also know the terrible costs inflicted by war.

No one summed up better what The Old Guard of Arlington means for our nation than Sergeant Major of the Army Dan Dailey. He shared a story with me about taking a foreign military leader through Arlington to lay a wreath at the Tomb of the Unknown Soldier. Sergeant Major Dailey said, “I was explaining what The Old Guard does and he was looking out the window at all those headstones. After a long pause, still looking at the headstones, he said, ‘Now I know why your soldiers fight so hard. You take better care of your dead than we do our living.’”

***

Tom Cotton was elected to the U.S. Senate from Arkansas in 2014, following one term in the U.S. House of Representatives. He serves on the Senate Banking Committee, the Senate Intelligence Committee, and the Senate Armed Services Committee. A graduate of Harvard College, he studied government at the Claremont Graduate School and received his J.D. from Harvard Law School in 2002. In 2005, he was commissioned as a 2nd Lieutenant in the U.S. Army, rose to 1st Lieutenant, and served deployments in Iraq with the 101st Airborne and in Afghanistan with a Provincial Reconstruction Team. His military decorations include the Bronze Star Medal, Combat Infantry Badge, and Ranger Tab. He is the author of Sacred Duty: A Soldier’s Tour at Arlington National Cemetery.

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  • Published in 2019
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Remembering a Legend

Saturday, 06 February 2016 by Jay B. Hall

If you are old enough to remember that windy and biting
cold day in November 1963, you will recall the two most
memorable photos taken during the funeral procession of
President John F. Kennedy …the first, of his young son,
John Jr., saluting as the Caisson bearing his father left St.
Matthew’s Church on its final journey to the hallowed
ground of Arlington National Cemetery
The second photo was captured by the cameras of tens of
thousands of onlookers on that fateful day…’ that of a
sleek, well-muscled jet black horse with a small white star
on his forehead. Exquisitely groomed, even his hooves
were polished. His black saddlecloth was trimmed in
white. and a gleaming regimental sword dangled from his
glistening saddle. As a symbol of a fallen leader, he
carried spurred cavalry boots thrust backwards in the
stirrups’*. The caparisoned horse was Black Jack.
Black Jack was a horse with high vitality. Every step of the
way, his head bobbed up and down as he tugged at the
walker’s line. He pranced in such lively and spirited
manner that at times he appeared to be walking sideways.
Black Jack served in The Old Guard for 24 years.
Noteworthy, he is the last Army Quartermaster-issued
horse to carry the official “US” brand, and one of only two
horses in our Nation’s history to be buried with full military
honors.
As a tribute to this beautiful horse, a memorial ceremony
is planned to observe the fortieth anniversary of his death
and interment, February 1976, on Summerall Field, Fort
Myer (JBMHH), Virginia. At this writing, the date selected
for this event will be Saturday, February 6, 2016, at 1100
hours. The event will take place on Summerall Field,
regardless of weather. A reception, by invitation only, will
take place at the Caisson Section, where tours and
refreshments with the troops will take place.
The primary planner of the event states that this will be a
never-before attempted equestrian version of the wreath
laying ceremony at the Tomb of the Unknown Soldier, with
horses and Soldiers of the Caisson Section taking part in
the event.

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  • Published in 2016
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Standing Silent Watch Over Heroes

Monday, 05 December 2011 by Jay B. Hall

By Chelsea Place, Pentagram Staff Writer, December 5, 2011

As the sun rises and sets over Arlington National Cemetery, gates open and close to sacred ground that honors thousands of military personnel from wars past.

One place in particular honors all the unknowns from military conflicts of the last hundred years. It is here, at the Tomb of the Unknowns, elevated on a hill overlooking the nation’s capital, where Army sentinels keep vigil over the fallen Soldiers from the nation’s wars day in and day out.

“My standard will remain perfection,” is a statement that many who visit the tomb will hear from the sentinels who guard the unknown servicemembers. This phrase represents line six of “The Sentinel’s Creed.” The creed is a reminder of what the guards strive to achieve and why they do what they do.

“We are not saying we are perfect because no one is perfect, but we are always striving to maintain that standard,” said Cpl. Brandon Waleszonia, a Soldier with the 3rd U.S. Infantry Regiment (The Old Guard) and assistant relief commander at the Tomb of the Unknowns.

“I spent two years in the regiment. I decided that before I left, I wanted to do something that I felt was bigger than myself. That’s why I volunteered to come down to the unit,” he said.

Waleszonia said his children — a 2–year-old son and a 9-month-old daughter — come see him march on the plaza, but they don’t fully understand what he’s doing. “Later on down the road I can tell them what the job means,” he said. “I hope my son would actually like to do this job. I do try to bring my kids up to that [creed] standard as well.”

Only 593 Soldiers can claim they earned the Tomb Sentinel Badge. Even after leaving the Army, they maintain the badge and strive to live up to the creed in all aspects of their lives.

Currently there are 21 infantrymen, two food specialists and one motor pool sergeant stationed at the tomb. Although there have been female tomb guards in the past, none currently serve.

“It’s an honor to get out there and do a mission that so few will ever be afforded the opportunity [to do],” said Sgt. 1st Class Chad Stackpole, sergeant of the guard at the Tomb of the Unknowns.

“In general, the life of a tomb guard is one [where the individual] desires to be the best, to represent the best and strives at perfection … never satisfied with his work,” he said.

The first unknown to be interred at the tomb site was from World War I. Following World War II, Vietnam and Korea, an Unknown Soldier was interred for each war. However, the Vietnam unknown was disinterred, identified and was not replaced. Current science makes it hard for there to be any new unknowns due to advanced DNA analysis.

Ten days. The number of days each prospective tomb sentinel has to prove himself worthy through three training and assessment selection classes. Five. The number of proficiency tests a sentinel has to complete before receiving a badge of his own. Countless. The number of hours a tomb sentinel must put into his training and uniform.

“[You do it] to the point where you could literally go down and execute a guard change with your eyes closed and … nobody would ever know it because you’re wearing [sunglasses],” said Stackpole. “And there are guys who will go out there, and they will close their eyes because they have measured [the step count and cadence].”

Training consists of memorizing knowledge on the tomb to the point where one can write out every letter, comma and period of prepared material. The guards also learn where certain key individuals are buried in the cemetery, such as highly-decorated Army icon Sgt. Audie Murphy. They also learn how to press a uniform, how to walk out on the plaza and at what angle their weapon needs to be positioned.

Tomb Guards are known to stand in front of mirrors and grade themselves. There is no such thing as too much training when you’re striving for perfection.

Every tomb guard is constantly being graded on their uniform, stance and weapon. In the guard quarters underneath the Memorial Amphitheater, there are monitors that allow guards to watch whoever is walking on the plaza, so when an individual comes off duty they can be critiqued.

There are three relief units explained Stackpole. Each unit is on a nine day schedule. Days one, three and five, the sentinels are on a 24-hour shift schedule at the tomb. On days two, four and six they are at rest but still required to train and work on perfecting their uniform. Days seven and eight, the sentinels are completely off duty, and day nine is total relief training. Much like a last combined arms training, the ninth day is to make sure there will be no issues when on duty.

The amount of walking tomb guards do varies from day to day. “With the manpower we have, typically a Soldier will do anywhere from one to three, one-hour walks during the winter. In the summer, [it’s] anywhere from five to eight, half-hour walks,” said Cpl. Christopher Anthony, assistant relief commander at the Tomb of the Unknowns.

Anthony had planned to leave the Army and go to school, but he re-enlisted with a two-year contract specifically to become a tomb sentinel.

As a guard at the Tomb of the Unknowns, there are various missions for all to carry out, from walking the plaza, training incoming Soldiers, maintaining appearances, training to perfect stance and timing and conducting ceremonies on behalf of various organizations that want to lay a wreath at the tomb.

Only noncommissioned officers are permitted to perform guard changes.

“Laying the wreaths means a lot to me. The public people who come and lay the wreaths, I feel they are showing their respect to the unknowns which makes me proud to do my job,” said Waleszonia.

No one day is the same, explained Stackpole. There could be no ceremonies scheduled one day, but over 30 wreaths laid on another. This Veterans Day, for example, had President Barack Obama and First Lady Michelle Obama on site to lay a wreath, followed by several other organizations that performed the solemn ritual the same day.

A few weeks ago, a French and American delegation came to commemorate the 90th anniversary of the first unknown chosen for the tomb. “It’s great that we honor the day he was selected, but more so [because of] what he did. The fact that he gave his life for the freedom of all — the freedom of everybody. It’s a constant reminder. Look how long ago he did [what he did] and what we’re still doing for him,” said Stackpole.

The Soldiers are at the tomb 365 days a year and have stood guard through both hurricanes and snow storms and weathered whatever Mother Nature brings their way. During extreme weather, tomb guards can go in a sheltering sentinel box to stand vigil and call down to other sentinels to let them know what the weather conditions are.

“We kind of pride ourselves on the fact that we will be out there with the unknowns, enduring the elements no matter what,” explained Anthony.

Few can guarantee that their current job will stay with them for life. However, the Soldiers who earn the Tomb Badge can say with distinction that they have honored the unknown Soldiers that gave the ultimate sacrifice for their country. With the creed and history of each interment and disinterment memorized, the job will stay with them beyond their career as a Soldier.

“Ultimately, we are truly the face of the nation to over 5 million visitors a year here inside Arlington National Cemetery,” said Stackpole.

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  • Published in 2011
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At Tomb of the Unknowns, a ritual of remembrance

Saturday, 28 May 2011 by Jay B. Hall
By Sarah Kaufman, May 28, 2011

Like so many great romantic moments in the arts, it begins with the tolling of a bell. The sound dies. Hushed anticipation. Finally, the soldier makes his entrance — no ordinary recruit, but the relief commander of the 3rd U.S. Infantry, taking part in the changing of the guard ceremony at the Tomb of the Unknowns at Arlington National Cemetery.

You could land an airplane on the flatness of his hat, balance teacups on his shoulders. He has been polished and honed to perfection, a man as monument, symbol and embodiment of order, respect and dignity.

Washington life swirls around him — crowds gather and disperse, jets climb into the clouds, the cemetery’s infernal lawn mowers roar. The weather may bake or freeze him — the high, marble mesa on which the tomb rests, at the top of a hill affording one of the loveliest views of the city, can feel like the hottest spot on Earth, even in May. It can also approach the coldest, as when blizzards covered the city two winters ago, and snow buried the plaza as fast as soldiers could shovel it. They replaced their shiny black shoes with combat boots. But the vigil and guard changes went on around the clock, as they do now and have since 1937.

The world doesn’t matter here, in this outdoor theater where the show always goes on. This guard posting is a marathon of purity, a spectacle of the finest abstraction and strictest minimalism, where precise, unthinking repetition blots out just about everything else.

The commander strides across the plaza, past the sarcophagus containing the remains of service members from World Wars I and II and Korea. (An unknown from the Vietnam War had joined them, but his remains were removed and returned to his family when DNA testing revealed his name.) He takes slow, measured steps, rolling his shoes on their outer edges so there’s no hint of a bounce in his body.

It’s the most luxurious legato. The man is a play of contrasts: loose in the knees, square in the chest, all business in the eyes. You know this even though you can’t actually see his eyes because of his sunglasses, so tightly fused to his skull they must be giving him a migraine. But there’s enough expression in his granite jaw to suggest that those hidden eyes are cold. Still, that delicious walk goes on, 18 steps, 20, 21 . . . clack! It’s brought up short, punctuated by a sharp clap of the heels. The metal plates on the inner edges of the shoes are one of many modifications to the basic dress-blues uniform.

The changing of the guard ceremony is like that, a precise, stop-start ballet performed by three men — commander, relief sentinel and the retiring sentinel— alternating between smooth and sharp, silence and staccato pops. With that same liquid gait, the relief sentinel makes his entrance, brandishing the most beautiful, sparkling M-14 you’ve ever seen.

There is a brief, intense inspection, every action crisp and decisive. The commander snatches the relief sentinel’s weapon, swipes its surfaces with an exaggerated sweep of a white-gloved hand. He scrutinizes the uniform — hat, shoulders, belt, shoes, moving his head with such deliberate isolation that if you watch closely you can see the motor impulse travel through each vertebra of his neck. Inspection completed, the ceremony is all about walking and stillness. The men salute the tomb, they fall into step, the two sentinels switch positions, the outgoing one leaving with the commander as the new one takes up his slow pacing along the black rubber mat in front of the tomb.

Soldiers who have performed the ceremony speak of its beauty, its ennobling and even healing power. But while they are posted on the plaza, they make every effort to dehumanize.

Is it ritual or art, functional or pure show? In art as in ritual, context is everything, and this austere plateau of bone-white marble is one of the most loaded frameworks on American soil.

Rituals, as anthropologists tell us, create and cement loyalty among their participants. The military loves a ritual: morning formations, retreat formations, inspections (cleanliness and hygiene having been elevated to a duty, since disease was once the biggest killer on the battlefield), promotion ceremonies, wreath-layings . . .

“It solidifies your present with your past,” says Michael B. Barrett, a retired brigadier general in the Army Reserve who teaches history at The Citadel in Charleston, S.C. “Whether you’ve stormed the heights at Gettysburg or not, you’re sharing the same ritual as those guys did, and you know that 10 to 20 years down the road, some soldier will have taken your place doing the same thing.”

But the ritual surrounding the Tomb of the Unknowns is special. It is a potent symbol of the ultimate sacrifice, made by those who cannot be returned to their loved ones, who perhaps can never be laid to rest, and who gave not only their life but their name to their country. The poignant paradox is that by losing their identity, they have transcended it. The unknown soldier becomes every soldier.

“In a broader sense,” Barrett says, “that tomb represents everyone who has fallen.”

The tomb’s inscription reads: Here rests in honored glory an American soldier known but to God.

But among the earthly, it is the sentinels of the 3rd U.S. Infantry who know him best.

They walk the plaza 24 hours a day, 365 days a year. The guard change happens every 30 minutes during the cemetery’s open hours in the spring and summer and every two hours after the grounds close.

“Sometimes you mesh better with one set of guys over another,” says Benton Thames, 24, assistant sergeant of the guard. “You can feel the rhythm of each other and feel the cadence of the other guys. When it’s really moving, and the heel clicks are crushing and all the pops are loud, you can tell, by the silences and the sounds, that you’ve done a really good job. You just feel it.”

It’s all in the cadence. The soldiers practice their steps with a metronome, set to 72 beats per minute, the tempo of a slow march. A regal adagio time signature. Being chosen as a tomb guard is a rare honor, and even after training for five to seven months, they practice daily. The soldiers assigned to the duty serve 18-24 months. (There have been three female guards in the past, though there are none now.) After the cemetery closes, groups of them will walk the steps over and over. With perfection as the standard — this is written into the “sentinel’s creed” they learn during training — if they stop a half-inch off their mark and their supervisor sees it, they’ll hear about it.

When the new guard is in place, he is still mindful of his cadence. It governs every step — 21 at a time, the number chosen to echo the honor of a 21-gun salute. Then he turns and faces the tomb for 21 seconds. He swivels to face back down the mat, shifts his weapon to the outside shoulder, waits another 21 seconds, takes another 21 steps. This clean geometry and steady rhythm are traced over and over until he is relieved by another guard change.

“People always ask what we’re thinking,” Thames says. “But we’re not really thinking about anything. We’re counting.”

The guard always carries his weapon away from the tomb — and between him and the crowd. Because as much as the ceremony is a popular tourist stop, drawing thousands of onlookers each year, the guards want to keep you at bay. You may grow weak, faint, falter, get in their way — their vigil will go on.

Human reactions have no role here. After a long, steep hike to the top of the hill where the tomb lies, then a period of waiting and standing on those exposed marble steps of the Memorial Amphitheater, visitors are commonly overcome with fatigue. Nearly every day, the soldiers say, someone in the crowd collapses, especially in warm weather. But the guard doesn’t stop counting; he’ll break neither his stride nor his stillness.

“We have to act like it didn’t happen,” Thames says. He describes a time when a man stumbled on the steps, flipped over the chain railing and landed facedown and unconscious on another step.

“You can’t do anything about it,” Thames says. “You have to maintain ceremonial composure.”

Civilian security guards called an ambulance.

The only time the tomb guard will break composure is if the dignity of the ceremony is disrupted. A tourist taking a photograph recently scrambled onto the terrace after his fumbled water bottle started rolling toward the mat. Spec. Mathew Brisiel was the guard at the time, a broad-chested tank of a man standing nearly six-and-a-half feet tall. He stepped off the mat and . . .

“He scared me,” says Staff Sgt. Matt Coffee, who witnessed the event.

Ask why the guards respond to clumsy onlookers, even impulsive children, so forcefully — with a bellowed “request” for silence and respect, an aggressive posture and a jut-jawed stare to pierce stone — and you get a one-word answer.

Intimidation.

Blunt, direct, no nonsense. This is the Army, after all.

Just about every element of guarding the tomb is taken to extremes. Here, spit and polish is a fixation.

“If you’re obsessive-compulsive, the Army is a great place for you,” jokes Staff Sgt. Vern DuBois. We’re in the sentinels’ living quarters under the steps of the amphitheater, where the sentinels stay during their 24-hour shifts. (When not on duty, they are headquartered at Fort Myer with the rest of the 3rd U.S. Infantry, known as the Old Guard.) This is the backstage area, if you will, where the sentinels dress. But they are their own wardrobe mistresses: They spend their downtime working on their uniforms.

Of the three areas in which these soldiers are trained — the ceremony, maintenance of the uniform and knowledge of the cemetery — caring for the uniform is the hardest to master.

“We modify every piece of equipment we’re given,” says Staff Sgt. Lon Baudoux. “The Army doesn’t issue anything that fits.”

The sentinel’s uniform starts out as Army blues. But once these soldiers get hold of it, they gut the jacket, cutting out the lining, sewing on extra buttons and adding pleats down the armhole seams to make the garment fit. They use Stitch Witch bonding tape to stick down all the pockets on the pants. Each element of the uniform is measured to within one-sixty-fourth of an inch, or the thickness of a thumbnail, measured with a metal mechanical-engineering device called a micrometer.

The sunglasses are bent and shaped to each man’s head. They must fit in perfect parallel to the ground, and the hat must be parallel to the sunglasses. Baudoux shows off the metal hooks inside a hat, to keep it from tipping up in front and looking “like a bus driver’s cap.”

The shoes get fussed over the most. They are not permanently glossy like other military dress shoes. Their shine comes from sanding with 200-grit sandpaper and then layers of Kiwi shoe polish, rubbed in and buffed, rubbed in and buffed, for hours a day, depending on the damage. Heat makes the Kiwi melt. Cold makes it bumpy.

The trouble is, no matter how obsessively you polish, that perfect shine remains elusive.

“You can never finish the shoes,” Thames says with a laugh. “You gotta call it quits eventually.”

And should the polishing get tedious, “You just remember why we’re here,” he says. “You pull yourself together, and get ’em shiny.”

They get haircuts twice a week.

A sentinel strides across the room to the large full-length mirror, his face a mask. He studies himself dispassionately. “I need to get tucked,” he calls out. Another soldier comes up behind him to attach the snug-fitting belt, yank the jacket taut across the back and sharpen the pleats. The sentinel is a perfect hourglass. He makes a quarter turn to inspect himself from the side; his shoes click.

Your eye is drawn to the black-handled bayonet at his hip, its scabbard polished like onyx, its leather trim gleaming with a mirror finish. Baudoux picks up an ordinary-looking knife in a drab green scabbard. This is what the Army gives them. After 150 to 300 hours of detailing — each element taken apart, sanded, spray-painted, polished, layer upon layer — Army-issue becomes a work of art.

What happens to the knife also happens to the man.

“They’re a much more disciplined soldier by time they’re done” with the guard training, Baudoux says. “And much more of a soldier that can be — I don’t want to say left to their own devices, but they’re more independent. They mature quite a bit faster than if they were doing a regular job in the Army. They know what’s right, and they do what’s right.”

Another soldier gives the guard a final once-over. “Okay, everything can come out the door,” he says, punching the lock-release button. “Have a good walk.”

What is it to be unknown in an era in which nearly everything is known?

Do we know too much?

Certainly, the Army wants to know.

You’re on the Metro heading to the cemetery for an 8:45 a.m. rendezvous with two Army staff sergeants. At 8:30 you get a call on your cellphone: “Yes ma’am, we just want to know your status.”

The military always wants to know your status. It knows the status of its members — and beyond that, it knows them on a cellular level, too. It’s unlikely there will ever be another unknown soldier, because the DNA of every member of the military is catalogued. With current technology, “you know where your guys are at all times,” Thames says.

But the 3rd U.S. Infantry’s mission is to guard the tomb until the remains are identified. “Which works out to be probably forever,” Thames says.

Forever. No concept is more suited to this undulating landscape, with its majestic trees, this graveyard known as “the gardens of stone.” The spooky romance of the place touches even the heart of a soldier.

Members of the 3rd U.S. Infantry occasionally run through Arlington Cemetery in the mornings before it opens to the public. They aren’t allowed to call cadence — no call-and-response chanting — and they don’t dare spit.

“That’s hard when you’re running,” DuBois says. “But the motivation to keep us in line is, ‘Your fallen comrades are watching.’ ”

Between 10 a.m. and 2 p.m. is considered prime time, when the most experienced soldiers are posted. But Thames says his favorite time is either early in the morning or late in the evening, when the public is gone, “when it’s just us. It’s quiet and peaceful, and there is a beauty to it.”

“I don’t want to say I’ve made friends with the Unknowns or anything,” he says. He strokes his jaw. “But if I’m having a bad day, I’ll stay here till the cemetery closes and get posted for two hours. I go out there . . . and it makes everything okay.”

Now that he has being doing it for four years, some of the emotional power has worn off. But not all. He recalls a time when several World War II veterans in wheelchairs were watching the ceremony. As Thames walked past them with that stately gait, buttons blazing, uniform pressed to a razor sharpness, behind his sunglasses he could see the old soldiers pushing down on their armrests, trying with all their trembling might to stand.

“Those that could saluted me as I passed,” Thames says, swinging his right hand up to his brow with a shy smile, a gesture both casual and elegant.

“That kind of got to me.”

A veteran once told Thames that he’d lost a buddy in World War II and that the body was never recovered. When he comes to the Tomb of the Unknowns, the veteran imagines that those remains belong to that guy — and this becomes the place where he can be mourned as if his name were cut in stone.

This is why the sentinel buffs his shoes, hollers for a good tucking-in, submits to having his creases measured to within a fraction of an inch. This is why he has seemingly shaved away every shred of his own individuality, his identity, for a task whose purpose is, at the heart of it, exquisitely tender. It is the physical expression of an intangible wish, the fulfillment of a promise.

Long past Memorial Day.

“All soldiers recognize that it represents them,” says Barrett, The Citadel professor. “Underlying the tomb is that if something happens to you and we can’t identify you or find you, that ceremony still honors you.

“We ask them, if necessary, to lay down their lives,” he continues, his voice faltering with emotion, for he was once a soldier. “This is the corollary: They will not be forgotten.”

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